Sunday, May 12, 2013

Honor Mother's day through celebrating the sacredness of women

Today we celebrate more than just Mother's Day. We celebrate the gift of life that women represent. We celebrate what only a women can do, the responsibility she bears and the incredible powers that come with it. 

Photo by Marlon Krieger in the rural region outside of Cuzco Peru
photo by Marlon Krieger



In the beginning it was understood that women were sacred, they were the healers, bringers of life and the sustainers of their communities. Their council was sought in many important affairs out of respect for their vision and creativity. They were seen as having a direct connection to the mother of all things, because they too give life. In traditional communities they were protected from abuse and assault and cherished for the role they played. Then their place in society was diminished as men began to see women's roles as a source of power and control.  The idea of a medicine "man" and seers as male positions came later after the traditional roles of women had been hijacked for the sake of greed. And so women began to fall from grace in societies around the world and throughout time.

Today women battle injustices and grave dangerous to their health; mental and physical, because societies, cultures and perverted interpretations of religion fail to protect them and afford them the rights they deserve. The list of dangers and injustices is long: sex trafficking, arranged marriages, child birth, assault, domestic abuse, maternal mortality, rights to education, rights to make decisions, 'honor based violence', infanticide, etc.  Why have 1 in 5 women in the Untied States experienced sexual violence, why is it that every minute a woman dies unnecessarily from complications in child birth, why are they still sold for their bodies, or attacked for making decisions regarding marriage.

"It appears that more girls have been killed in the last fifty years, precisely because they were girls, than men were killed in all the battles of the twentieth century. More girls are killed in this routine “gendercide” in any one-decade than people were slaughtered in all the genocides of the twentieth century.   - Half the Sky by Sheryl WuDunn and Nicholas Kristoff Page: xvii; Introduction

So as you celebrate Mother's Day today don't just buy her a gifts or dutifully go to a family brunch in the name of a gimmicky holiday. Remember the challenges that women and mother's around the world are facing this day and let your mother know that she is sacred and beautiful because of her strengths, her will and because she is a women. 

My mother is the strongest person I know, she is my guardian angel and my healer. Nothing can replace the hug of a mother and the energy that it exchanges and you shouldn't need mother's day to remind you to tell her.

The three madonnas by Marlon Krieger and Annalisa Iadicicco, pboto of Ashanika women in Peru
photo by Annalisa Iadicicco and Marlon Krieger
Women are sacred, they are mothers, leaders and thinkers full of creativity and power. They are half of everything in life including men. Without a women's half free and empowered, we are just half of what we as men, families and communities are supposed to be.

I can imagine no better way to thank you mother today than to pay tribute to women and help change the way women are treated within society. Their are countless organizations doing good work around the world. Choose one and volunteer, make a donation or just show your suppport in your mother's name. Below is a short list you can use as a starting point.


“It's no accident that the countries that have enjoyed an economic take off have been those that educated girls ...”
― Sheryl WuDunn, Half the Sky: Turning Oppression into Opportunity for Women Worldwide

If you have any other movements or organizations in mind please add them to the list:

http://www.halftheskymovement.org/pages/act
http://www.girleffect.org
http://www.antislavery.org/english/what_you_can_do/default.aspx
http://www.care.org
http://www.equalitynow.org/actions
http://www.safercampus.org
http://www.campaignforeducation.org/en/

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Monday, May 6, 2013

Lenticular Photo Used To Secretly Convey Hot Line Number To Abused Kids

In an attempt to protect kids from being seen looking at the hotline number and being exposed to violence or preventative measures by their aggressors the ANAR foundation created Lenticular street signs, meaning that a different message is seen from different angles.

To people at the average height of a 10 year old and below the poster displays a secret messages and phone number saying:
"If somebody hurts you, phone us and we'll help you"





While adults see:
"Sometimes child abuse is only visible to the child suffering it"



This is a very simple, inventive and catchy approach. I hope it gets as much attention from the children who need help as it's getting in the creative community. 

A short video explaining the process:

 

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Friday, May 3, 2013

Borderland: North Korean Refugees by Katharina Hesse

Katharina Hesse's work Borderland: North Korean Refugees is on display for Moving Walls at Open Society Foundation May 8th-December 13th 2013.

© Katharina Hesse
©Katharina Hesse
I've always loved Katharina's work, she manages to say a lot with very little. That is; simple, singular and very human pictures, like whispers of important information you want to lean in so you don't miss a syllable. I never feel like a voyeur looking at her photographs, but a part of the moment, which I find rare and important today where photographers have become more and more intrusive in an attempt to get the "hard" shot that will move people. In reality they are taking the easy way in, not relying on their intellect and creativity to tell the story, but on their ability to just be there. Katharina's work is more thought provoking, more timeless and more personal. If you get a chance I recommend checking out the show, I'll be there.




©Katharina Hesse

©Katharina Hesse

Kim Jeong-Ya (a pseudonym), 67, who lives near the North Korean border in Yanji, China, belongs to a handful of Chinese activists who have dedicated their lives to helping North Koreans make a safe passage from North Korea to South Korea via mainland China. Most foreign activists are simply expelled from China if caught participating in assistance missions, whereas, local Chinese and some South Koreans have faced severe punishment. Kim has been imprisoned twice and beaten up by North Korean agents operating in China. Kim’s relatives, who did the same kind of support work “disappeared” in North Korea. Since her release from jail, Kim has been under intense police surveillance. Her meager life savings was confiscated by local authorities, and she is not allowed to leave her home in the suburbs of Yanji. 
                                        

©Katharina Hesse

© Katharina Hesse

©Katharina Hesse
© Katharina Hesse
Artist Statement
I began photographing North Korean refugees on the Chinese border about nine years ago, when an editor at a U.S. magazine contacted me for a photo assignment but was reluctant to give any details over the phone. Upon arriving in Northern China, I felt like I had entered a different world. As I accompanied a reporter in the barren border region, I listened to horrific tales of survival and violence: hungry people eating roots and grass or being shot for stealing food; civilians fleeing soldiers and living in a constant state of fear.
As we traveled along the border, I heard similar stories repeatedly: people dying of hunger; authorities violently punishing people for stealing food; teenage North Korean defectors missing their families; men in tears, overwhelmed with guilt about those they had left behind. At one interview, a young boy asked what the white liquid was when he saw his first glass of milk.

North Korea’s repressive regime uses selective food allocation as a tool to maintain loyalty among those deemed politically and economically useful. Meanwhile, state-run media produces propaganda designed to convince North Koreans that they are better off than people elsewhere.

After experiencing a world like this, it just didn’t feel “right” to take pictures and move on to the next job. The fear among these people was overwhelming. It was only on the condition that their identities were protected that I could photograph them. Locations could not be recognizable and names could not be used in text. To my surprise, North Koreans in Seoul made similar demands even though they had fled the North years ago.
Recent increases in access to foreign media and trade with businesspeople from neighboring countries like China have given many North Koreans more information about the outside world and the poor conditions in their own country.

Although North Koreans could be eligible for official UN refugee status, China prefers to categorize North Koreans as economic migrants. Therefore, most North Korean refugees on the border live in limbo without any protection from either China or international organizations like the UNHCR.

Borderland provides a more intimate and personal narrative to existing media coverage of North Korea as the world’s “most reclusive” communist country. As media attention fluctuates, North Korea’s refugees remain an enduring presence whose stories need to be told.
—Katharina Hesse, April 2013

224 West 57th Street
New York, New York 10019
212-548-0600


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Thursday, May 2, 2013

Slanted Magazine Issue #21 "Cuba-The New Generation"

I had the great pleasure to be interviewed by Julia Kahl of Slanted Magazine in connection with their 21st issue Cuba-The New Generation which illustrated contemporary design, photography, illustration and typography from Cuba with a special focus on Cuban poster art.
A praying Angel in a cemetery in Cuba photo by Marlon Krieger
© Marlon Krieger

Check out the interview and see some of the pictures here: http://www.slanted.de/eintrag/island-stream-story-cuba (at the top you can hit the translate button for any part that is in German)


The issue is produced and executed stunningly and gives long overdue exposure to some incredible work. I highly recommend taking a moment to check out the links and consider buying a copy, a direct link below for that.

Thanks in part to a successful crowd-funding campaign this will be the first completely bilingual issue (Spanish/English) for Slanted.

Slanted #21 Cuban- The New Generation interview with Marlon Krieger

Slanted #21 Cuban- The New Generation interview with Marlon Krieger

Slanted #21 Cuban- The New Generation interview with Marlon Krieger

Slanted #21 Cuban- The New Generation interview with Marlon Krieger

Slanted #21 Cuban- The New Generation interview with Marlon Krieger

Slanted #21 Cuban- The New Generation interview with Marlon Krieger

Slanted #21 Cuban- The New Generation interview with Marlon Krieger


You can acquire a copy here: http://www.slanted.de/magazine/current
In addition you will receive the booklet “Contemporary Typefaces” presents the most interesting typefaces from the last six months: Agmena (Linotype Originals), Aleksei (Fatype), Classic Grotesque (Monotype), Conspired Lovers (HaraldGeisler.com), Daphne (TypeManufactur), Gemma (Mota Italic), Irma Text Narrow (Typotheque), Lettera-Txt (Lineto.com), Lupa Sans Pro (Volcano Type/MyFonts), Macula (Bold Monday), MeM (26+), Paris Pro (Moshik Nadav Typography), Publico Banner (Commercial Type) and Worthe Numerals (House Industries).




Issue: Spring/Summer
Editor: MAGMA Brand Design
Volume: 320 pages
Format: 16 x 24 cm
Language: English/Spanish
Price: EUR 14,- (DE), CHF 25 (CH), GBP 16 (UK), $ 26 (US), EUR 16,- (others) Buy: http://www.slanted.de/shop/slanted-21-new-generation
Subscribe: http://www.slanted.de/abo 


* Slanted #21 is the bachelor thesis of Falko Gerlinghoff and Markus Lange, students at Burg Giebichenstein University of Art and Design. 



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Eased Travel Restrictions enables Cuban Photographers to Exhibit abroad at Nordic Light

Taking advantage of eased travel restrictions in Cuba, Nordic Light has produced a photography exhibition with Cuban Photographers Adrián Fernándéz Milanesm Pedro Abascal, Leysis Quesada Vera, Raul Cañibano Ercilla, Irolan Maroselli Vilasuso, Liudmila Velasco and Nelson Ramírez de Arellano.
La isla © Leysis Quesada Vera

© Raul Cañibano Ercilla  
© Adrian Fernandez

© Irolan Maroselli Vilasuso

© Pedro Abascal


Festival
Nordic Light
April 23-27, 2013
Exhibitions until May 5, 2013
Kristianasund
Norway



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Saturday, April 6, 2013

Pictures of the night at the border of emotions Part 2

To read the original post go to "Pictures of the night at the Border of Emotions"


Accha, Peru at night photo by Marlon Krieger

Accha, Peru at night photo by Marlon Krieger

Accha, Peru at night during the Festival Intercultural photo by Marlon Krieger

Villa El Salvador, Peru at night, photo by Marlon Krieger

Villa El Salvador, Peru at night, photo by Marlon Krieger


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Tuesday, March 26, 2013

Pictures of the night at the border of emotions

Often when on the road shooting, days are long and nights can be endless. Over the years I have spend many of these nights traveling through cities across the globe looking for the final shot or trying to make my way home after an exhausting day. When eyelids are heavy and nerves are thin it's fascinating the things that touch you emotionally and creatively. I find that my vision can be so different at this physical border that it almost seems like a different person is taking the photograph. 

These are some of my favorites from New York and Havana

Havana, Cuba, malecon at night by Marlon Krieger
Havana, Cuba 2010 © Marlon Krieger

Playground NYC 2006 by Marlon Krieger west side highway
Playground NYC 2006 © Marlon Krieger

Havana, Cuba a man watching traffic go by at night by Marlon Krieger
Havana, Cuba 2010 G Marlon Krieger

A fuel truck parked along Avenida 3 in Havana Cuba by Marlon Krieger
Havana, Cuba 2010 © Marlon Krieger

Midtown East in New York City at night by Marlon Krieger
Midtown East, NYC © Marlon Krieger

Midtown east, new york city by Marlon krieger
Midtown East, NYC, © Marlon Krieger

Avenida 3 Havana, Cuba at night by Marlon Krieger
Havana, Cuba © Marlon Krieger


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Love these pictures in Ocean Spirit by Wayne Levin



WAYNE LEVIN-  OCEAN SPIRITS
 
 Such elegance and beauty, the images look choreographed as if mart of a ballet. I can almost hear the orchestra playing Bach when I look at these images. I love the grey's and the distinct blacks, and the silence of the moment. Beautiful work.

Wayne Levin


"The majority of earth is made of water, and Hawaii based photographer Wayne Levin has dedicated a large part of his artistic practice to exploring the hidden world under the sea. Levin’s photographs examine the creatures that inhabit the ocean and the divers and athletes who consistently interact with them. The resulting work - shot in exquisite black and white - reveals a beautiful and mysterious tension between man and nature in the underwater world." -Clic Bookstore & Gallery 




Wayne Levin

Wayne Levin













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Wednesday, February 27, 2013

Favorite photos and a promise to myself-

I've been spending a bit more time day to day taking pictures of random things. I realized that I rarely shoot for fun anymore, only getting behind the camera for a purpose. This is my attempt to get the playfulness back into my photography.

My resistance to shooting casually, in part, has been a reaction to the inundation of photography. I was frustrated with a camera (or iphone) taking every moment hostage. I'd be gazing at the waves crashing over the Malecón at sunset in Cuba only to be jarred back to reality by hearing the whirrs of flashes and clicks of shutters or enjoying a wonderful dinner here at home with a friend only to have him/her fumble for an iphone as if posting a photo validated a good time. 

I still believe there is a time and place for a picture, or rather a time and place not to take a picture, but this is the world we live in and we need to constantly adjust and adapt. I choose to experience every moment in the tangible world, but I will bring the lens back to my eye and every month share some of my favorites. 

(I wrote an article on this topic a while back, "Knowing What it Means to be Photographed" for Fuel you Photography)

These are my perceptions of the world around me:

orchid, backlit, drapes, blinds, lines, graphic,
An orchid backlit through drapes

NYC skyline
Looking up, I loved the negative space created by the buildings
music, venue, performance, live, drom, nancy danino
Nancy Danino performs live at Drom

mirror, orchid, black and white, wall
An orchid reflected in a mirror

metal, artsy, blurry


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Tuesday, February 26, 2013

Mali's Invisible War- Jerome Delay Photographs

I found Delay's photographs to be not only powerful, but also sensitive- to the culture, the people or maybe just the moment. There is soft quality to his images that takes away any feeling of voyeurism; I see shared moments, not stolen moments. A touch of humanity changes a photograph like color does a B&W image

The French Military have severely limited access to all journalists, ushering them through "safe" areas and in effect telling them what to shoot and what not to shoot. Their early success in taking much of the country in the first couple weeks has been done without the public's eye, and this media blackout continues. On Time Lightbox Delay is quoted as saying
"Despite countless requests from all news organizations to have access to the conflict, French forces (read: Paris politicians at the Ministry of Defense) had a media plan: they want to control everything. During an organized visit to Konna a week after it was “liberated,” I felt I was being shown around by Libya’s former ministry of information handlers. “Shoot this, not that!”

Read more: http://lightbox.time.com/2013/02/19/jerome-delay-photographing-malis-invisible-war/#ixzz2M34277LA


Jerome Delay- AP

Jerome Delay- AP

Jerome Delay- AP

Jerome Delay- AP

Jerome Delay- AP

Jerome Delay

Jerome Delay- AP

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